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Upcoming Exhibitions 2017

A belated Happy 2017 to all my friends, clients and followers.

It has been a while since my website has been updated and that is currently underway by Toni from 2aT Startup.  2017 is a big year for me and I am very excited about the plans ahead.

I am currently working towards two big solo exhibitions in Melbourne.  The first is “Irreverent Tales”, an exhibition being organised by the City of Whitehorse’s ARTSPACE Gallery. This exhibition will contain some of my early works from 1984 to recent paintings, prints and mosaics, some of the works have not previously been shown in Australia. One work is being loaned from Museum Victoria and has not been seen publicly since 1992. I am looking forward to being reunited with it again. The exhibition promotion by the City of Whitehorse reads…

“Renowned for her humour and quirky mischievous characters, Pamela Irving’s Irreverent Tales is an entertaining and witty exhibition, destined to evoke smiles from delighted patrons. Her enthralling Yolo Man will be displayed alongside His Apocalyptic Alphabet with intriguing references to famous artworks throughout art history. …”

I will be giving a public talk on the 22nd of July at ARTSPACE, located at the Box Hill Town Hall.

My other public exhibition will be at Without Pier Gallery in Bay Rd, Cheltenham. This large solo show will be from the 10th – 24th September 2017. I am very excited to be joining Without Pier who have been representing contemporary Australian Artists since 1995.

Please email me if you would like to receive an invite to either of these exhibitions or to join the mailing list for all my events.

My Studio + Gallery is open most days, but best to call or make an appointment to view works available. My number at the studio is (03) 9557 2688. Saturdays is a good day to visit if you just want to browse. I am at 68 Patterson Rd, Bentleigh which is just off the Nepean Highway near Dendy Park, Brighton. If coming by train get off at Patterson Station which is on the Frankston line. Check out the mosaic underpass as you arrive.

In the Gallery I have a new range of prints available. They can be purchased online or come into the studio to see them. They are limited editioned prints, hand signed and numbered, editions of 30 only.

Looking forward to seeing you in 2017!

Pamela.

 

STUDIO OPEN WEEKEND JULY 11th +12th, 2015

Please join us for an open studio weekend on July 11th + 12th . Feel free to drop in anytime from 10am -4pm on that weekend. You are most welcome to invite your family and friends along.
There will be new framed and unframed works to see including my new series just shown in Chicago at the Gallery of Contemporary Mosaics.
The studio phone number is 9557 2688
If coming by train, the gallery is located on the Frankston line, get off at Patterson Station. We are located about 50 metres from the station.
Studio address is 68 Patterson Rd, Bentleigh 3204
Just off the Nepean Highway…near Dendy Park Brighton.

MOSAIC WORKSHOPS WITH EMMA BIGGS + SUZANNE SPAHI IN AUGUST 2015 @ PAMELA IRVING STUDIO + GALLERY

The PAMELA IRVING STUDIO + GALLERY is very proud to present three wonderful workshop opportunities for Australian mosaic artists and enthusiasts in August 2015.

Your tutors are:

The amazing Emma Biggs and talented Suzanne Spahi.

EMMA BIGGS

Emma Biggs is from London, UK. She is one of the founders of the renowned Mosaic Workshop, the largest mosaic studio in Britain. She has authored and co-authored many books on mosaics. She also makes collaborative paintings with her husband, the well-known art critic Matthew Collings (presenter of the UK television Channel Four’s Turner Prize programme).

www.emmabiggsmosaic.net

SUZANNE SPAHI

Suzanne Spahi is from Montreal, Canada. In her personal works, Suzanne specializes in interpreting antique oriental rugs in miniature mosaics. Such decorative works take between five and nine months to make. This subject matter came to her naturally, as she is a fan of elaborate rugs and has always had a desire to own the most famous antique ones. So now she weaves her personal stories in mosaic.

www.suzannespahi.com

Workshop # 1

MINIATURE MOSAICS WORKSHOP by Suzanne Spahi

A TRIBUTE TO HUNDERTWASSER

Learn the fine art of working miniature mosaics using Mexican smalti. Suzanne will transmit her precise techniques for working on small and intricate mosaics according to the works of Hundertwasser. It is the same technique she uses for oriental mosaic rugs. You can see them at:  www.suzannespahi.com

You will learn the skill of how to use the wheeled nipper to do precision cuts into small pieces that are 3mm squares and 3x5mm rectangles. You will get to combine some bigger pieces to bring balance to the work visually. You will be working the ‘Mosaika Method’ on the sticky film over an intricate pattern design and will be guided constantly on the working method. Suzanne will pass on all her little tricks of her trade! The last day of the class you will learn the delicate process of transferring the mosaic onto the wood surface and the special coloured glue recipe. Mastering the transfer process took Suzanne 5 years! The mosaics are decorative for hanging and involve no grouting as the small pieces would loose their charm with grout.

 DETAILS:

Location : Pamela Irving Studio + Gallery

68 Patterson Rd, Bentleigh 3204

Melbourne, Australia.

Ph 03 9557 2688

DATES:

Friday 7th  August 2015        6.30 – 8 pm

Saturday 8th August 2015    9.30 – 4.30 pm

Sunday 9th  August 2015      9.30am – 4.30 pm

Cost: $360 + gst

Materials: $30  + gst

Total cost of this workshop $429 including gst

To ENROLL please email Pamela Irving with your contact details (including your name, email address, and contact phone number) and title of the workshop you wish to do.

pamela.irving@bigpond.com.au

Payments can be made by VISA, MASTERCARD or DIRECT DEBIT

Workshop Option:  #2 with EMMA BIGGS

MOSAIC PATTERN AND VISUAL COMPLEXITY

This course asks students to look at how pattern is used in mosaic. We discuss its role in aesthetic concerns: color, tone, texture & reflectivity, but also in conceptual ones – the way ideas repeat and become patterns themselves.

The aim of the course is to make every student freer as an artist by doing something really difficult: having a long, close examination of his or her work. It involves putting under the microscope all the internal contradictions there may be – to give a practical example, framing a mosaic. What does it mean when a mosaic that is about texture, and surface properties of material and mortar, is bounded by a rectangular wooden frame? Do those two sets of ideas – material and mortar, and the conventions of framing a painting, which after all is quite different from a mosaic – enrich one another when they are combined, or do they confuse the message? There’s no right answer, but there is an urgent need for the mosaic artist to realize it is a question they need to ask — just one of potentially thousands of such questions.

Why? Well, for work to have real impact, the artist needs to know what he or she is attempting in order to deliver it effectively. This is more important than technique unless the work is ABOUT technique. It is liberating to realize that not every work needs to strive to include everything – it just needs to deliver one thing very well.

DETAILS:

Location : Pamela Irving Studio + Gallery

68 Patterson Rd, Bentleigh 3204

Melbourne, Australia.

Ph 03 9557 2688

DATES:

Wednesday 26th August 2015     6.30 – 8 pm

Thursday 27th August 2015         9.30 – 4.30 pm

Friday 28th August 2015              9.30am – 4.30 pm

Cost: $360 + gst

Materials: A small materials levy will be confirmed soon.

To ENROLL please email Pamela Irving with your contact details and title of the workshop you wish to do.

@ pamela.irving@bigpond.com.au

WORKSHOP OPTION #3 with EMMA BIGGS

COLOUR AND MOSAIC: HOW IT WORKS AND WHY IT MATTERS

Colour is like a language. Because we can all identify colours, we assume it’s one we all speak. When learning a new language, we know how to communicate to some degree once we’ve grasped a few rules, but in order to convey meaning at greater depth, it’s important to keep working at it, and the more you work, the more you comprehend, and the more you realise there is to know. In mosaic making, tone is the most important principle to grasp. Hue, intensity, reflectivity of surface, texture, contrast and mode of laying all have a role to play in how colour conveys its meaning, but understanding how tone works is the key to using colour really effectively. Students at all levels should be able to take away something new from this course.

We will begin with a powerpoint presentation. We will look at images both of mosaics, and the environment – photos of landscapes — both urban and rural. The idea is to train the eye to see what it really sees, and to stop the mind getting in the way and sending the eye false messages. We will begin the practical work with colour exercises, and then work on individual pieces to see how to apply the principles in practice. If the group would like to do so, we can finish with a very short powerpoint presentation designed to sum up the lessons of the day.

The fascination of colour doesn’t run out. The more you know about it, the more you understand how much there is to know.

​​​DETAILS:

Location : Pamela Irving Studio + Gallery

68 Patterson Rd, Bentleigh 3204

Melbourne, Australia.

Ph 03 9557 2688

DATES:

Friday 28th August, 2015            6.30pm – 8pm

Saturday 29th August, 201          9.30am – 4.30pm

Sunday 30th th August, 2015       9.30am -4.30 pm

Cost: $360 + gst

Materials: A small materials levy will be confirmed soon.

To  ENROLL please email Pamela Irving with your contact details  (name, email address and contact phone number) and title of the workshop you wish to do.

@ pamela.irving@bigpond.com.au

Payments can be made by VISA, MASTERCARD + DIRECT DEBIT

 

 

 

 

 

 

 

 

 

 

 

ENCAUSTIC WORKSHOP with Sydney artist Noula Diamantopoulos

Encaustic Magic with

Noula Diamantopoulos

@PAMELA IRVING STUDIO + GALLERY
68 PATTERSON RD, BENTLEIGH 3204

30th + 31st January 2015

 A 1.5 day Encaustic Magic Experience with Noula

Friday 30th January 6.30 – 8pm  +    Saturday 31st January 9.30 – 4.30

Cost $245 + materials $30 cash on the day

Contact Pamela Irving 0402 946 940   or 03 9557 2688 for Bookings.

We accept VISA, Mastercard, EFTPOS

In this 1.5 day intensive encaustic art workshop, you receive an individual materials kit, including a set of Steiner wax crayons and 5 wooden substrates. You will learn how to make your own wax medium, experiment with different encaustic techniques and encaustic tools, and create up to 5 small encaustic artworks to take home! We cover History, OHS, encaustic resources and Melbourne encaustic suppliers.

check out the website gallery for student images

http://spontaneouscreativity.com.au/portfolio-view/introduction-to-encaustics/

On the Friday night Noula will do a meet and greet and general discussion on the Encaustic process and history.

On the Saturday:

Workshop all day, Students can bring their own lunch or buy your lunch from Patterson Village.

Tea and Coffee supplied.

“ITS ONLY ONE MONTH TO CHRISTMAS EVENT” 22nd + 23rd NOVEMBER 2014 10am-4pm

On November 22nd + 23rd I am having a open studio + gallery weekend.
We will be open both days from 10am -4pm
@ 68 Patterson RD, Bentleigh ph 9557 2688 or mobile 0402 946 940

There are works for sale from $70 upwards….Lots of sale stuff for Christmas
If you cant get there at those times, I am happy to offer you a preview of the works.
Feel free to call me.

How quickly this year has gone. Thanks to everyone for your support this year!
Wishing you all a very Merry Christmas and Festive Season.

Also if you are interested in my work you can follow my Instagram account @pamelairvingart
and my Facebook page Pamela Irving Visual Artist.
19

Giclee Prints now available at the Gallery.

Giclee Printing

Pamela Irving Studio + Gallery are now offering limited edition, fine art Giclee Prints from some of Pamela’s original paintings.
What is a Giclée Print
The word Giclée (said Zhee-clay) is a French word meaning fine spray. It refers to a print of the highest quality pigment ink-jet process, that offers archival qualities without bleeding or fading. The Giclée process is digital printmaking with an ink-jet printer, using a minimum set of 10 inks that places minute droplets of ink to create prints that cannot be duplicated by other printing techniques. Because there is no visible dot screen pattern, the resulting image has all of the subtle tonalities of the original.
In order to achieve a faithful reproduction of artwork:
A three part workflow must be adhered to;
1. A high resolution digital file generated directly from the artwork using a high quality capture devise,
2. An ink-jet printer with a minimum set of 10 pigment inks,
3. An archival paper.
The accuracy of colour, tone and detail is reliant on the technical skills and knowledge of the technician, particularly at the point of artwork capture. Pamela’s technician has over 20 years of experience in this medium
Pamela’s technician uses both a Hasselblad scanning and photographic system, a printer with an 11 pigment based ink-set and the highest quality archival papers available.
Pamela Irving’s giclee prints are printed on 100 % rag paper.
Limited to an edition of 30 or less prints. All are hand signed and numbered by the artists.
All work comes with a Certificate of Authenticity.

Acme et al

Acme et al is now selling a large range of my limited edition prints. The editions are limited to 30 each image and hand signed and dated by me. They are $110 unframed.
Check out their store for images to browse and buy.
http://acme-etal.enstore.com/browse/gallery/1#sthash.eNw4vuqK.dpbs